Tag Archives: Veil of Veronica

Here it is at last – a simple explanation for the Shroud of Turin – how and more importantly WHY it was made in the mid 14th century. Think simulated sweat imprint, seemingly yellowed with age, plus bloodstains in all the right places….

I concluded the previous posting with the following simple and blunt message (but have since decided it warrants a posting all to itself): The time for being restrained and polite is over. Why? I have just privately listed some 8 … Continue reading

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Here’s an updated version of my ‘iconoplastic’ modelling of that Turin so-called “Shroud” (probably a misnomer).

 Site banner: see how a simulated sweat imprint (my wet hand pressed down onto dark fabric) responds magnificently to 3D-rendering computer software (ImageJ) before and after tone-reversal (negative back to positive image). Remind you of anything? Like those supposedly “unique”  and … Continue reading

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Was the Mark 1 TS image – a presumed heat scorch – relaunched at Lirey as a notional sweat imprint?

Summary (a late addition): Three or four otherwise peculiar facets of the TS story have been causally related and explained by supposing that the TS started as a thermal imprint , i.e. heat scorch, on linen,  probably of a roasted … Continue reading

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Am I the only one to have spotted that the Lirey Shroud was piggybacked on the Veil of Veronica – which may explain why the French still call it the Suaire (“sweat-impregnated facecloth”) de Turin”?

See previous posting, and the ongoing discussion it has generated with two French-speaking visitors to the site: 1.  The newcomer Robert ( un Belge de Geneve), who contributes to  the wiki (Fr) page on the Suaire d’Oviedo, alleged crucifixion-phase  face … Continue reading

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